When the sweet smell of Pujo is in
the air
When the mornings turn a tad cooler, the
shiuli starts flowering, and evenings begin to set in earlier every day, my
thoughts inevitably turn to the city of my birth. Even though I haven’t lived
in Calcutta (sorry, it’s always going to be Calcutta, or even Cal, to me;
unless I am speaking Bangla, in which case it is always Kolkata) for two
decades, there’s something about early October that always transports me back
there, as the memories of Pujos past (that’s Durga Puja to all you
non-Bongs/non-Calcuttans out there) bubble up to the surface.
Even as a child, I knew instinctively
that there was something special about Pujo. It wasn’t just that our household,
holding on tight to our Punjabi roots, celebrated the Navratras by planting
‘Khetri’ (wheat) in a terracotta pot in the puja room, feeding ‘kanjakas’
(young girls who are believed the symbolize the Goddess Durga) on Ashtami, the
eighth day of the nine-day period of Navratra, and fasting during this period.
It was also that something shifted in the air of the city itself, making it
seem more festive, more celebratory, and more excited (and excitable).
The first hint that something was up was
evident from the roads, jammed with people heading out for their Pujo shopping,
making the traffic even more insane than usual. Next, activity started in the
communal maidan near our house, where a pandal seemed to spring up almost overnight.
And then, one day, all of us kids would be roused at 4 am to listen to the
Mahalaya broadcast on All India Radio, which signaled the beginning of the
festivities.
Our household, for its part, turned
schizophrenic during this period. Till Ashtami, we were Punjabis, tending our
‘Khetri’ faithfully, staying away from onions and garlic, and eating ‘fast’
food once a day. And then, having broken our fast on Ashtami with our
puri-halwa and kala chana, we mutated effortlessly into Bengalis, doing the
rounds of the pandals on Mahanabami and Vijayadashami, marveling at the
decorations, the lights, gorging on the street food stalls doing business near
the pandals, having ‘bhog’, and watching goggle-eyed as the ladies of the
neighbourhood performed the ‘Dhunachi nritya’ to the beats of the Dhak, in front
of the Goddess on Dashami.
But while we were a religious family,
performing all the rituals and reciting all the mantras taught to us by our
grandparents, it wasn’t hard to figure out, even as a child, that Pujo in
Calcutta transcended religion. It was as much about faith as it was about fun.
It was as much about community as it was about culture. It was as much about
prayer as it was about partying.
For me, though, one of the best bits
about Pujo was that we got new clothes: a set each for the five days of the
festival (beginning with Shashthi and ending with Dashami), so that we never
had to repeat an outfit when we went pandal-hopping. That meant endless trips
to New Market, many excursions to the local tailor, and a mandatory visit to
the Bata store on Chowringhee before my Pujo wardrobe was complete.
It was during Pujo that I tried out my
first pair of high heels as a teenager (suffice it to say that it did not go
well!). It was during Pujo that I first discovered the joys of flirting, safe
within the embrace of my giggly girl gang. It was during Pujo that I attended
my first Rabindrasangeet recital (and was blown away by the how much better
Tagore sounded in the Bengali original than in all the banal English
translations I had read until now). And it was during Pujo that I attended my
first music concert (Bappi Lahiri was the star performer, accompanied by his
gold jewellery, but thankfully even that was not enough to turn me off live
performances for life).
Even after I grew up and began working as
a journalist, my inner child would emerge triumphantly every time the Goddess
paid a visit to her mother’s place. It helped that the newspaper house I worked
for, in true-blue Bengali style, would give everyone four days off for Pujo, so
that we could go pandal-hopping at leisure, stay up at late-night addas with
our friends, gorge on luchi-dal for breakfast and dine on the most scrumptious
of biryanis.
And then, one day, I moved out of Cal and
was left with only memories of Pujos past to sustain me over the Navratri period.
Which is why for me October always comes with sepia-tinted images of Pujo
festivities in Calcutta playing in a constant loop in my head.
There is something special about Pujo in
Calcutta. No matter how hard the Bengali community in Chittaranjan Park tries
to recreate the ambience of Durga Puja in Delhi, it never quite feels like the
real thing. I don’t quite know how to explain it, but I can tell the difference
whenever I stop by to get my fill of the Pujo spirit. The pandals are just as
beautiful, the Goddess looks as amazing, the beat of the Dhak sounds as
powerful, the bhog is just as delicious. And yet, there’s something missing.
And that certain something is Calcutta. The
city metamorphoses into a magical place when the Goddess comes calling.
So, all of you celebrating in Cal,
remember to have an extra rossogolla for those of us exiled from the City of
Joy, and forced to observe the festivities from afar. And a very Happy Pujo to
all!
3 comments:
Very well written piece mam...
Was filled with Nostalgia while reading . It's really not the same if you are not in Kolkata .
Very nice write up
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