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Journalist, Author, Columnist. My Twitter handle: @seemagoswami
Showing posts with label Hrithik Roshan. Show all posts
Showing posts with label Hrithik Roshan. Show all posts

Saturday, June 11, 2016

Have you Heard about Depp?

The lessons we learn from celebrity break-ups

Unless you have been hibernating in the wilds of Ladakh, by now you will have heard about the messy breakdown of Johnny Depp and Amber Heard’s marriage. If, like me, you are something of a news junkie, you will have the details of their marital meltdown coming out of your ears.

To recap very briefly, it happened thus. Johnny Depp and Amber Heard met on the sets of the movie, The Rum Diary, and fell in love. Johnny broke up with his partner of 14 years, the French actress Vanessa Paradis, who is the mother of his two children, and moved in with Amber. Fifteen months ago, Depp and Heard got married in a spectacular beach ceremony in the Bahamas.

And a couple of weeks ago, just days after the death of Johnny’s beloved 81-year-old mother, Betty Sue Palmer, Amber sued her husband for divorce and obtained a temporary restraining order against him on the grounds that he had been physically abusive towards her through the course of their short-lived (but clearly stormy) marriage. To prove her case, Amber produced pictures of her battered face, with bruises around her eyes and a fat lip. 

The Depp camp responded with denials and statements from Depp’s ex partner, Paradis, and his daughter, Lily-Rose, about what a lovely and loving man he was, and how it was impossible that he would hit a woman. Heard hit back by leaking an exchange of messages she had had with Depp’s assistant a few years ago, which seemed to acknowledge a history of abuse from Depp over a period of time. The assistant responded by saying the messages were fabricated. And so it went, on and on and on.

No break-up is ever pleasant but there is something particularly nasty about celebrity break-ups. It’s not just that the world’s attention is focused on the private lives of strangers, but that everyone has an opinion on stuff that they couldn’t possibly have any knowledge of. And before you know it, fans of both parties have come down on one side or another, sticking by their respective idols with a resolution matched only by their ignorance.

So, we have Camp Depp, which insists that there is no way that Johnny could have been abusive towards Amber. He is such a splendid, stand-up guy! Didn’t you see what a marvelous job he did as Jack Sparrow in Pirates Of The Caribbean? Not to mention his performance in Alice In Wonderland. She is just making up all this stuff to get a bigger divorce settlement.

Ranged against Camp Depp is Camp Heard, which is considerably smaller but makes up for it by being a bit shriller. Their view seems to be that women who claim to be victims of domestic abuse should be believed – or else other women will be too afraid to come forward and report their abusive partners. And why would Amber be making this stuff up anyway? It is not in the interest of a small-time actress like her to take on the might of a Hollywood megastar like Johnny Depp.

And thus it goes. Emotions run high. Arguments break out, both in real life and on social media. For some reason, people seem to take this stuff personally even though they don’t know the persons involved. 

I don’t know about you, but what this reminds me of is the time when Brad Pitt broke up with Jennifer Aniston and went off to play happy families with Angelina Jolie. Even then, the world seemed to be divided into Team Aniston and Team Jolie; for some reason, no one thought it fit to create a Team Pitt.

But while every celebrity break-up is unique in its own way – certainly, there were no accusations of domestic violence against Pitt – they do teach us the same lessons. Here, in no particular order of importance, are the top three:

• If you have a fortune to protect, whether you are a man or a woman, always get a pre-nuptial agreement signed before you sign on the marriage certificate. Yes, I know, it is not terribly romantic to foresee what may happen in the case of a divorce even before the wedding. But it is the best way to ensure that you are not risking the assets you spent years building up; and, more to the point, that your prospective spouse is marrying you for the right reasons.
• Try your damnedest to keep the media out of your business. Work out all your issues – alimony, divorce settlements, child custody arrangements – in private with your lawyers. Once you have negotiated all these tricky bits, release a joint statement to the media. Follow the example of those ‘conscious uncouplers’, Chris Martin and Gwyneth Paltrow, or nearer home, Hrithik Roshan and Sussanne Khan, who have remained publicly supportive of each other even after their divorce.
• There is a thin line between love and hate, and it is all too easy to tip over to the other side when your relationship is disintegrating. But no matter how bitter and angry you are with your soon-to-be ex-partner, try and remember that this is a person you once loved and wanted to spend your life with. Respect and civility goes a long way. And even if it isn’t reciprocated, in the long run you will be happy that you, at least, did the right thing.

Monday, April 25, 2016

Love's labour lost...

A tale of two 'break-ups'; and the life lessons we can learn from them

"Shame" read the stark slogan engraved on the wall. That was the image that Virat Kohli, India's newly-anointed Cricket God fresh from his triumphant innings against Australia in the World T20 tournament, posted on Twitter with a tweet that read: "Shame on people for trolling @AnushkaSharma non-stop. Have some compassion. She has always only given me positivity."

The same image turned up on his Instagram account with an even more searing message: "Shame on those people who have been having a go at Anushka for the longest time and connecting every negative thing to her...Shame on blaming and making fun of her when she has no control over what I do with my sport..."

Yes, I know, Virat also made it clear in this message that he didn't need respect. And that instead people should respect Anushka, and have some compassion for her. But it is hard not to respect a man who stands up so firmly and so publicly for his ex. (Well, she is his ex at the moment of this writing, but who knows what the next week may bring; there is already fevered speculation that they are 'just on a break' and may get together again. But I digress.)

There are some who would dismiss Kohli's public defence of his former girlfriend as the very least he could do ("It's just basic human decency, yaar, what's the big deal?") But to the rest of us, used as we are to the sight of messy celebrity breakups with both parties washing their dirty designer jeans in public, it was a sight for sore eyes.

Here, at last, was a man who didn't rubbish his ex the moment she was out of his life. Au contraire, he was taking on those who would rubbish her, most of whom purported to be his 'fans', and telling them where to get off.

But then, Virat Kohli and Anushka Sharma never really played by the rules of celebrity relationships. They didn't give gushing interviews about how much they loved each other; but equally they did not hide the fact that they were together. They would travel on the same plane, Anushka would applaud her boyfriend enthusiastically from the stands, and he would tweet proudly about her new releases.

Together, the couple taught the prying Indian public the difference between secrecy and privacy. And they did this with grace and humour, even though it can't have been easy for either of them to deal with those carping critics who blamed Anushka's presence in his life for Virat's poor form during that period.

And when their love story ended and social media began trolling Anushka because Virat was back in good nick, it was Kohli who went batting for her with the kind of ferocity that only he is capable of (both on and off the wicket).

Strangely enough, even as Virat and Anushka were giving us tips on the art of the good break-up, there was another pair of celebrities driving home the lessons by helpfully posing as a cautionary tale.

Yes, I am talking about Hrithik Roshan and Kangana Ranaut. Now, we don't know for sure if they ever had an affair (so, please Hrithik, no legal notices for this piece) or if they were anything more than colleagues. All we know is that Kangana referred to a 'silly ex' in one of her press interactions. Hrithik reacted by tweeting that there were more chances of him having an affair with the Pope than with any of the ladies mentioned in the media.

To cut a long story short, the sorry saga culminated with both parties slapping legal suits on one another. In his legal notice, Hrithik's lawyers alleged that Kangana was delusional and suffering from Asperger's Syndrome, leading to mental health professionals raining fire on Hrithik's head. For good measure, Hrithik also got sued by a Catholic fringe group for insulting the Pope. (Honestly, you couldn't make this stuff up!)

What these two parallel narratives provide for us is a ready primer for how to deal with a love or a 'professional relationship' (there, there, happy now, Hrithik?) that has run its course.

First up, don't share details of your relationship or the break-up. It is nobody's business but your own; keep it that way. As the saying goes: never complain, never explain.

Next, don't give in to the temptation to bitch about your ex. No matter how loud people may swear that theirs is a 'mutual decision' most relationships end with one person being left and the other doing the leaving. And often the desire to paint the other party as a devil is overwhelming. Well, learn to resist it. Shut up and let the moment, the week, the month, the year pass; and so will the temptation to hurt the one you once loved.

And finally, even when the love has faded never forget that this was a person that you once adored. Remember how hard you fought to protect them when you were together. Bring the same passion to defend them when you have drifted apart. That is the best way to pay tribute to the bond you once shared (and also be a decent human being).

In other words, when it comes to matters of the heart, be a Virat, not a Hrithik.

Sunday, July 28, 2013

Age is just a number...


But only if you are a hero in Bollywood; heroines come with an expiry date

There’s one thing that the three reigning superstars of Bollywood have in common. And no, it’s not that they all rejoice in the surname Khan, though God knows that has been commented upon a million times. What binds Salman, Shah Rukh and Aamir together is that they are all 48 this year.

Go a little further down the rung of super-stardom and it is pretty much the same story. Saif Ali Khan is 43; Akshay Kumar is 45; Ajay Devgn is 44; hell, even Hrithik Roshan is nudging 40 (he hits that milestone birthday next January). And all of them are doing very well indeed at the box-office, singing and dancing, romancing the ladies, and beating the bad boys to a bloody pulp, thank you very much.

Now, here’s a challenge for you. Can you name a single Bollywood actress who is still a top star past the age of 38? Yes, take your time. Scroll down the list of all the usual suspects. Use that old search engine thingie. Phone a friend. Found anyone who is still a significant player past that magical figure? No, I thought not.

Something mysterious seems to happen to our actresses as they creep – ever so slowly and oh so unwillingly; but honestly, given what awaits, can you really blame them? – towards their late 30s. One minute they are flying high on the helium balloon of success and the next they have crash-landed on hard ground. And no amount of Botox, Juvederm or plastic surgery can ever make them whole again. Well, not in the eyes of film producers and directors anyway.

When it comes to female stars, ageing seems to be calculated in dog years where 16 equals 25; 25 equals 30; and 38 equals death (at the box-office, at any rate).

No matter how brightly their star may have shone before, it tends to fizzle out around the mid 30s mark. Sridevi last big release was Judaai in 1997 and she effectively retired from the business at 34. And it is telling that she only put one cautious toe out to test the waters once she was pushing 50 and unambiguously past leading-lady age.

It is no secret that Madhuri Dixit struggled to find a decent role in her last years in the business. Or that Karisma Kapoor never managed a comeback after marriage and kids, even though she has never looked better. Rani Mukherjee tries hard to stay relevant with releases like No One Killed Jessica, but we can all see that this is a losing battle. And even Aishwarya Rai, delivered her last big movie, Guzaarish, in 2010, at the venerable age of 37 (though if anyone can make a sizzling comeback, it is her).

And these are the stars who have actually been on top of the heap for most of their time in moviedom. Those who were lower down in the pecking order fare even worse. Preity Zinta struggles on gamely at 38, but even she has to produce the movies she stars in (and it doesn’t help when they are like Ishkq in Paris). And Bipasha Basu seems to have slipped completely off the radar at a youthful 34.

But while the women fall by the wayside like so many dominoes, the men just go on and on. It’s almost as if with male stars the ageing process has been halted by some ancient alchemical process. Ever since Raj Kapoor and Dilip Kumar canoodled with actresses half their age, Bollywood heroes have seen it as a badge of pride to be paired with heroines who could well be their daughters. In fact, some of the heroines Amitabh Bachchan, Shashi Kapoor, Dharamendra have romanced on-screen could well have been their granddaughters.

And over the years we have become so inured to this December-April pairing that we see nothing incongruous about Salman Khan playing the romantic lead against Sonakshi Sinha who was two years old when he became a star with Maine Pyar Kiya. Or when Shah Rukh Khan sings and dances around the trees with Anoushka Sharma, who was five years old when he was stammering K.K.K.K.Kiran in Darr (Deepika Padukone was seven years old at that time, in case you are interested).

I wondered about this as I watched Madhuri Dixit (Shah Rukh’s co-star in Dil To Pagal Hai) play judge on the TV dance reality show Jhalak Dhikla Jaa, biding time, no doubt, till she is old enough to play the glamorous yummy mummy or the beatific badi bhabhi (given that her comeback vehicle Aaja Nachle didn’t exactly set the cinema screens on fire). Is this the way the cookie will always crumble for our Bollywood heroines? Or will the film industry change its sexist, ageist ways?

The way I look at it, Kareena Kapoor Khan will be the test case. At 33, she is veering close to the danger mark. Will she be able to change the rules? Well, I am sure we wish her the very best but if I were you, I wouldn’t hold my breath.


Sunday, February 6, 2011

Better halves

Star wives are the new stars in the making


I am not a big fan of the new-fangled reality shows on Indian TV but give me a film awards function and I will happily stay in on Sunday evening and watch it from start to finish. Yes, all the way from the cheesy interviews of stars on the red carpet (“Who are you wearing?” “How are you feeling?”) to the many ‘scintillating’ performances by stars who have been paid enormous amounts of money to shake their booty, interspersed with the awards themselves.

Despite the bad jokes, the tacky costumes, the snarky commentary and the corny comedy routines, there is something fun about these evenings. And I love every moment, even though there is a certain predictability about the entire exercise.

You know that Shah Rukh Khan will make snide comments about his co-stars and then apologise laughingly in the next breath. You know that Karan Johar will get a bit teary at some point or the other. You know that the camera will focus lovingly on Rekha when Amitabh Bachchan is on stage and vice versa (they had an affair a quarter of a century ago; get over it, people!). And so on.

But last week, as I sat down to watch the Zee Cine Awards, there was a surprise in store for me – and the many millions watching across the world.

Doing his tried-and-tested ‘Gosh I am so witty’ routine Shah Rukh invited Hrithik on stage. There was the usual banter between the stars on the lines of how Khan had taught Roshan everything. But now, said Shah Rukh, it was time to teach Hrithik how to treat his wife. And for that, he needed the ‘lovely’ Sussanne Roshan on stage.

Sitting pretty in the front row, Sussanne went all pink with embrassment, then stood up gamely and went on stage much to the delight of the delirious crowd. But then, as the routine unfolded, it became clear that this was no impromptu interlude but a well-rehearsed item that the stars had put together well before hand.

Sussanne entered into the spirit readily enough, going on her knees to say “I love you” to a ‘stupefied’ Hrithik. And as they traipsed happily off the stage, Shah Rukh announced to the delighted audience: “This has never happened at any awards show before this.”

He’s probably right about that. But what’s the betting that this kind of stuff will become routine as this decade unfolds? That star wives will become part of the entertainment instead of just sitting in the audience and clapping madly with fixed smiles on their faces?

Yes, the writing is pretty much on the autocue on that one. Star wives are no longer content to sit on the sidelines, basking in the reflected glory of their husbands. They want to be stars in their own right, thank you very much.

We’ve come a long time from the days when stars like Dharamendra kept their wives (well, in his case, only the first) locked up at home. Or when heroes married in secret – Aamir Khan to his first wife, Reena – so that their sex appeal at the box-office remained intact. Or when even the most dedicated reader of Stardust couldn’t pick out Jeetendra’s wife from a line-up.

Even heroines at the peak of their careers had to go into hibernation once they got married. Dimple was whisked away into the shadows once she married Rajesh Khanna, re-emerging only once her marriage broke down. Jaya Bhaduri went into retirement after marrying Amitabh Bachchan, only to be coaxed back to do Silsila with the other woman in this triangle, Rekha (okay, okay, I know it was a long time ago; sorry to bring it up again).

Today’s star wives are not the retiring creatures of old. Like Gauri Khan (for Vogue and various other glossies) they are cover girls in their own right, flaunting the latest designer outfits on their gym-fit bodies. They appear on Koffee with Karan with their other halves, poking gentle fun at their husbands, all shiny and sparkling with confidence. They sit majestically in the front row at fashion shows, bona fide style stars in their right.

They have their own Twitter accounts; their own fan following; sometimes even their own ad campaigns. Twinkle Khanna stars in one featuring a mobile phone even though she retired from the movies nearly a decade ago after marrying Akshay Kumar. And Gauri Khan co-stars with husband Shah Rukh in an ad for a home decor company (she is, apparently, its brand ambassadress).

Over the last month, we have seen wall-to-wall coverage of the release of Dhobi Ghaat, with the husband-wife team of Aamir Khan and Kiran Rao (lead actor and director respectively) giving joint interviews to anyone who turns up with a microphone and a camera. And while I am sure that Kiran Rao is an immensely talented woman who has made a very worthwhile movie, there is simply no denying that the publicity whirl around her is down to who she is married to. She gets all this attention because she is a star wife not because she is a brilliant first-time director.

Whichever way you look at it, one thing seems clear. Star wives are finally striking out for a bit of stardom in their own right. And in our celebrity-obsessed world, it looks as if they will get it.

Sunday, September 26, 2010

Family matters

We may rave and rant about dynasty in politics: but we think nothing of building up our own


Are you in the mood to conduct a little social experiment this Sunday? Well, if you are, I have something for you. Ask your friends and family what they hate most about Indian politics. If I am guessing right, then most of the respondents will answer: dynasty.

Strange, isn’t it? There are so many things wrong with Indian politics and our system of governance. There is an ever-widening gap between rich and poor. We claim to be a putative superpower but plead helplessness when it comes to feeding our starving millions with grain that is rotting away in government godowns. Both the Kashmir imbroglio and the Naxalite problem seem to rage on without an end in sight.

Our politicians make money off everything from the Commonwealth Games to arms purchases to the IPL. But it seems that corruption is now so endemic that it does not even occasion comment. So, our politicians are corrupt. Well, yes, and the sky is blue. No need to hold the front page then.

But dynasty? Now, that’s different. That’s the one thing that we middle-class folk can get all worked up about. Why is it that every politician’s son and daughter regards it as his or her god-given right to enter politics? Why do political parties treat parliamentary seats as something that can be passed down from one generation of a family to the other? Isn’t it a shame that we the electorate keep voting in members of the same family again and again? India has always had a slightly feudal mind-set, but frankly, this is ridiculous.

If this goes on for much longer, we mutter ominously, all political power will soon be restricted to a few hundred families who will control all our resources and rule over us with impunity. And soon no outsider will be able to breach the system, no matter how good he or she is. How on earth will our system throw up a Barack Obama-type figure, we wail, when it restricts entry to family members only?

All of this is entirely true. And none of this is good for India. But, as always, there is more to this story.

It is a measure of our hypocrisy as a people that even as we moan and groan about dynasty in politics, we see no contradiction in building up dynasties of our own in our own backyards. In fact, we actually thrive on it, draw pride from it, and treat it as a measure of our success as parents.

Look around you. Chances are that if your friends are lawyers, their children are studying law as well (and will inherit the practice in due course). If they are doctors, then the kids will probably follow them into medicine (and yes, inherit the practice). In the media, too, children tend to follow the lead of their parents, becoming journalists either in print or in television – though, unfortunately, only a handful are lucky enough to inherit a media empire.

And that’s just the professionals. In the world of business, things are even worse. Even if families own a minuscule fraction of the company, it is taken for granted that the children will take over as CEO or MD in due course. With privately-owned companies, the sense of entitlement is even worse. Rare is the Narayan Murthy or Nandan Nilekani, who builds up an empire and does not leave it to his kids.

But dynasties flourish in other areas as well. Films are the most visible example where every hero of yesteryear treats it as matter of macho pride to launch his son in a blockbuster movie (somehow the same macho pride does not extend to the daughters, though).

Look at the film industry today. With the exception of Shah Rukh Khan, every other leading actor is a filmi kid. Salman Khan’s father is Salim of Salim-Javed fame; Hrithik Roshan’s father is former hero Rakesh Roshan; Ranbir Kapoor is the son of Rishi and Neetu Kapoor; Bobby and Sunny Deol are the sons of Dharamendra. Even among the heroines a fair proportion of them are filmi kids: Karisma and Kareena Kapoor, Esha Deol, Kajol, etc.

So, what’s wrong with that, you say. Everybody has the right to choose the profession of their choice. And if it happens to be the profession of their parents as well, so what? They still have to make it on their own terms don’t they?

In the case of the doctors and lawyers, they have to work hard for their qualifications. Journos have to go out looking for jobs like everybody else (though conceivably their parents’ contacts would help – though, if you ask me, it is more likely that they would it hard to find someone Dad hadn’t rubbed up the wrong way). And the industrialists are just leaving what they had built up themselves to their kids.

But if you are going to put forth justifications, you could equally argue that politicians too have to earn their stripes like everybody else. It doesn’t matter how big a minister your Daddy is. You still have to win an election to get into Parliament. It doesn’t matter for how many generations your family has held the same seat. The voters still have to vote for you.

So, honestly speaking, what is the difference? It might be something to think about the next time you feel inclined to rage on about dynasty.